“…tinkers with retro sounds that blend 60s and 70s folk-pop with psychedelia…” — Cups N Cakes (August 2021)
“…he finds refreshing solace amongst the likes of Beck and Supernova/Ouroboros-era Ray Lamontagne…” — Cups N Cakes (August 2020); referring to Green Reflections
“Espousing a near tropical warmth, the Canadian songwriter blends feel-good folk with just the right amount of bright, immersive psychedelia…” — Atwood Magazine (April 2019); referring to “Faces I Love”
“…quirky folk-pop that sounds breezy and generally as carefree as childhood is supposed to be…” — Grayowl Point (July, 2016); referring to the Ambrose Psychic
“…slyly intricate with ethereal touches against a more traditional acoustic folk backdrop…” — Music Morsels (February 2016); referring to Ambrose Psychic
Top 10 Favourite LPs of 2012 “…a folk inspired sound with cleverly placed keyboards and percussion.” — Birds of Canada blog (November 2012); referring to Ragged Chute Blues
“He is using some old technology here, some great old synth sounds, but he creates these soft thick layers; it’s almost like he’s building up sound like big slabs of felt.” — Laurie Brown, CBC Radio 2 (April 2011); referring to “Blue Waves”
Trevor Sloan is a songwriter and multi-instrumentalist from Toronto. Described as “slyly intricate with ethereal touches,” his music infuses intimate vocals with acoustic instruments and old synths. He hints at singer-songwriters of the 60s and 70s but with an intriguingly modern twist. Full of artful symbolism and mindful contemplation, his songs are often balanced with images from everyday life. The Fur of the Bulrush is the fourth album under his own name but Trevor has been writing and recording music for over ten years, previously releasing six LPs under the name Phono d’enfant.